Vivaldi concerto in a minor12/5/2023 Smith’s “Variations on a Theme by MacDowell” made a fine example to start. To help us hear the references to spirituals, Cann sang portions of a few of them in a well-trained voice that movingly carried all the colors these songs needed. They supported each other and created a Black classical-music community with music steeped in spirituals and the pianism of a range of classical composers. She revealed a deep understanding of the music’s roots as she spoke from a lectern to describe how they all moved to Chicago when they could make no headway with classical music in their hometowns in the Deep South. In the music realm, the better-known Harlem Renaissance - the emergence of Black artists to be reckoned with - leaned more heavily on jazz, where the group of Chicago-based women presented here took on the classical world.įlorence Price is the best known of this group, but Cann demonstrated why the music of Margaret Bonds, Irene Britton Smith, and Betty Jackson King deserves more attention, too. In Harris Hall on Monday evening, Michelle Cann, who holds the piano chair at Curtis Institute, brought enthusiasm and dynamic playing to a program that celebrated the women composers of the Chicago Black Renaissance. This created an extra-fussy version that only found glory in the magnificent Molto Adagio at the center of the quartet. 132.” As if the score had not notated enough sudden dynamic changes, crescendos, and diminuendos, the quartet added more of their own. The second half was devoted to Beethoven’s “String Quartet in A minor, op. Written for Isbin and the quartet, the piece never seemed to find footing, meandering aimlessly through impressions of life in rural 19th-century New England. In between came a new work, “The Song of a Dreaming Sparrow,” by composer Joseph Schwantner. She topped off the first half leading a lively and fun “Fandango” from Boccherini’s “Quintet No. Guitarist Sharon Isbin, a longtime Aspen favorite, joined Thursday’s Pacifica Quartet recital to carry the familiar strains of Vivaldi’s “Guitar Concerto in D major” with panache. The rest of the week had its ups and downs. Both musicians unfurled the music in unhurried fashion. The encore, “Meditation” from Massenet’s opera “Thaïs,” brought things to a gorgeously peaceful close. 3 in D minor” found its direction in the gorgeous Adagio, and finished strong in the Presto Agitato finale. Shaham often takes a more Romantic approach to Bach’s music, and Spano went along with a softer-edged (if heavier) touch than we usual hear. Send a modmail and we will review and approve your post as soon as possible.The duo opened with Bach’s “Violin Sonata in F minor.” Anticipating the new piece, it began with a long, winding melody in slow motion against a gently twisting counterpoint in the piano. It's probably been caught by the spam filter. If you are looking for transcriptions, please visit r/transcribe. You can look for modern music at your local music or violin shop or by searching online shops. Scores for anime/video game music/film/pop songs are not always available. IMSLP is a good resource for public domain classical music. Remember, the more information you can provide, the better answers you will receive.įeel free to join the unofficial discord server, All Types of Violinists!! If you are asking a question, or looking for help, please make sure to include as much relevant information as you can, including video if at all possible. Please read the rules You will be expected to follow the rules. ![]() A subreddit for any violin-related discussion.
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